

A Gallery of My Original
Oil Paintings, Photographs & Prints
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My core values center on artistic excellence, craftsmanship, and authenticity. My platinum/palladium prints are unique for their rich tonal depth, archival quality, and a refined blend of traditional fine art and digital photographic mastery.
Mark Laurence LaRiviere
Painter & Photographer
I create images not merely to depict, but to evoke in the viewer transient emotions and fleeting sensations. The result is an idiosyncratic visual experience, involving both maker and viewer, that bypasses the need for words.
My abstract and figurative works are portals to feeling, designed to resonate deeply with your own experiences.
The emotional responses my art elicits from collectors – moments of joy, peace, or intrigue – are the very heartbeat of my creative practice.
"Still Life with Martinis" is a piece of art that holds profound personal meaning for me.
I set out to use the classic objects of a still life—a pitcher, cocktail glasses, and an ice bucket—to create a powerful metaphor for addiction and illusion. The vibrant, highly chromatic striped fabric was a deliberate challenge to paint, symbolizing the alluring but often confusing atmosphere of the "good times" associated with chronic drinking.
I found that by painting highly reflective surfaces like the stainless steel and the clear glass, I could illustrate distorted reality, representing the illusions the afflicted person experiences. The dark, open martini shaker at the center, rendered in heavy shadow, became a visual symbol for the "black hole" that can consume the alcoholic.
This painting transforms a traditional, colorful composition into a deeply emotional commentary on a real personal struggle. It’s a work that blends technical mastery with a heartfelt, layered narrative.
The painting is already framed and available to ship and hang immediately. Free ground shipping to the US lower 48 states. International and expedited shipping options are available. Accompanied by a certificate of authenticity.



